Canterbury Tales By Reeve Essays - The Canterbury Tales, Fabliaux

Canterbury Tales By Reeve Such comments as, "I pray to God his nekke mote to-breke" quickly reveal that the verbal game of "quite" involves much more than a free meal to the Reeve in "The Canterbury Tales" (I 3918). This overreaction, which grabs the attention of the audience and gives it pause, is characteristic of the Reeve's ostensibly odd behavior, being given to morose speeches followed by violent outbursts, all the while harboring spiteful desires. Anger typifies the Reeve's dialogue and his tale, which begs the question why. It appears to be a reaction to the Miller's insults, but they are not extreme enough to provoke such resentment. He seem-ingly has no hesitation in articulating his bitterness, yet he and his story are as much marked by suppression as expression. Silence resounds as loudly as any noise in the Reeve's Prologue and Tale. The reader is as puzzled by his utterances as the lack of them: his sudden sermon on death is matched by the quietness of two couples copulating in a small room of five, none of which are able to hear what the others are doing. The reality is that the behavior of the Reeve and the characters in his tale are not random or unaccountable. The Reeve is continually si-lenced by other pilgrims and himself, which is paralleled in his tale, and in turn suppresses his emotions, which leads to even more explosive conduct. I. Characterization In order to appreciate the melancholic and serious temperament of the Reeve, it is nec-essary to view him in comparison to other characters, as Chaucer intended. The identities of the pilgrims are relative. They are characterized by their description in the General Prologue, but not fully developed until they are seen in contrast to the pilgrim they are "quiting." As the Miller's personality is developed by his dissimilarity to the Knight, so is the Reeve by the Miller. Therefore Robin's enjoyment of life shows just how little Oswald receives from the same. For instance, the Miller's large frame and excessive drinking show his delight in small pleasures. The Reeve, however, is "a sclendre colerik man" who controls his beard and hair (in opposition to the unruly strands that grow on a wart on the miller's nose) as manipula-tively as the accounts of the farm on which he works (I 587). The Miller mastered the bag-pipes for entertainment in his spare time while the Reeve trained with more practical tools: "In youthe he had lerned a good myster: He was a wel good wrighte, a carpenter" (I 614). Robin is very physical; he is strong and willing to wrestle anything and carries a sword and buckler at his side. Oswald only carries a rusty blade, which indicates that it is not used very often and is only for show. If compelled to fight, he would most likely back down, preferring verbal sparring. The Miller socializes with the group with no regards to the class system, in-terrupting the expected order to tell his story before the Monk, while Oswald prefers to sepa-rate himself and ride last among the group. These disparities give the impression that Oswald is focused inward while Robin con-centrates on the outward. The Reeve is ruled by his practical mind, which directs him to make as much money as possible, whether it is through theft or saving or learning useful trades, and to avoid dangerous situations, even if it entails cowardice. The Miller is more of a Dionysian figure, who does only what pleases him, whether it is knocking heads or ignoring his wife's infidelities. These differences in character foreshadow the differences in their tales. They both tell similar dirty stories but the nature varies greatly. It is the Miller's good-humor that trans-forms the chivalric tale of the Knight into an account of adultery that is both bawdy and hi-larious. As will be discussed in greater detail in this essay, it is the Reeve's introversion that causes him to recite his mean-spirited tale of adultery as punishment. II. Outward Manifestations of Suppressed Emotions The Reeve's vindictiveness and mood swings are based in his being repeatedly silenced and his subsequent suppression of emotions. Oswald speaks three times in Fragment I, and on the first occasion his wishes are ignored, on the second he is told to speak of a more amusing subject, and he is finally allowed to speak on the third, but only because every pilgrim must tell a tale. The Reeve's first words are spoken to the Miller. He orders Robin to "Stynt thy clappe!" before beginning his

Ethical Issues in the Non

Ethical Issues in the Non A non profit institution can simply be defined as an organization that is not after making money but after improving the quality of the human life. Obviously, to achieve this, these organizations have to spend money which has been donated. That has brought some series of challenges that would not have otherwise been present, in a profit making firm. Unlike profit oriented organizations, where they balance their cash books at the end of the year, non-profit organizations have to check each and every aspect.Advertising We will write a custom essay sample on Ethical Issues in the Non-Profit Organizations specifically for you for only $16.05 $11/page Learn More This is quite a load of work, considering that the organizations are funded by donors who often demand to know how their money is spent. On top of that, monetary policies in non-profit organizations are ever changing. For example, nowadays they are required to consider decrease in value of fixed property (Solnik, 2002 ). One of the common ethical codes in non profit organizations is that, no single person is supposed to profit from the institution. That means for these organizations to continue running, they have to depend on volunteers and donations. People are supposed to offer their services or commodity to the organization for free. In one way or the other, that goes against human nature. Not adhering to this principle, of free giving, has resulted to the once too often non ethical cases. Workers in the non-profit organizations are supposed to be honest. Honesty is usually easier said than observed. It is impossible to measure how honest a manager is when he is estimating the annual expenditure. If the manager under estimates the amount of funds needed, then the organization’s projects may fail. If he over estimates, he will be considered unethical. It might be that by over estimating, the organization will always have the funds needed. In circumstances like this, being b rutally honest might be wrong for the organization. Situations like this, usually poses great ethical dilemma to non profit organizations (White, 2010). Non-profit organizations are required to reveal their dealings to the public since they use publically raised money. Disclosure regulations are meant to protect donors by convincing them that their money is well spent. Financial disclosure is the one that attracts a lot of interest from the public (Phelan Desiderio, 2007). Non-profit organizations are required by the IRS to provide full disclosure of their finances. They display all their financial expenditure in their websites so that everyone can see. Voluntary disclosure law allows the public to know about all the voluntary services being offered. It enables the public to know which services have been provided on voluntary basis and which have been paid for. Disclosure of the project plan and implementation helps the public to be aware of the exact operations of the organization . This way, the donors have the opportunity to monitor the organization and find out how efficient it is (Svara, 2006).Advertising Looking for essay on ethics? Let's see if we can help you! Get your first paper with 15% OFF Learn More These disclosure laws have in many ways helped in monitoring the individuals in the organization, especially morally. The great transparency present in the organization leaves no room for emergence of scandals. These laws also make it easier for the donors to trust the managers of these organizations, since the laws allow the involvement of the donors in the operations to some extent. When the managers are aware that they are under the public scrutiny, they are bound to produce impressive results at the end of the year. Disclosure laws have improved the operations of non-profit organizations, and have made them serve the public more efficiently (Silverman, 2008). References Phelan, M. E., Desiderio, R. J. (2007). Non-Profit Org anizations Law and Policy, (American Casebook Series) (American Casebooks). Seattle: West Group. Silverman, M. G. (2008). Compliance Management for Public, Private, or Non-Profit Organizations . New York: McGraw-Hill. Solnik, C. (2002 , February 1 ). Not-for-profits by the numbers. Web. Svara, J. H. (2006). The Ethics Primer for Public Administrators in Government and Nonprofit Organizations . Chicago: Jones Bartlett Learning. White, D. (2010). The Nonprofit Challenge: Integrating Ethics into the Purpose and Promise of Our Nations Charities. New Jersy: Palgrave Macmillan.Advertising We will write a custom essay sample on Ethical Issues in the Non-Profit Organizations specifically for you for only $16.05 $11/page Learn More

Analytical essay about (Heart of Darkness 4th edition ) Research Paper

Analytical essay about (Heart of Darkness 4th edition ) - Research Paper Example The main character of the book is Marlow, who sits on the deck of a ship becalmed on the Thames until the tide should turn within these early pages. The time setting is just at sunset and the imagery that presents itself to the men on the boat seems to naturally put them into a reflective state of mind. The narrator of this early section, identified only by the reflective pronoun 'I', even points out that each of the men were too involved in their own thoughts to be interested in playing a game of dominoes that one of them had brought out. The scene as it presents itself to Marlow calls to mind the deep and disturbing memories and ideas that he gained as a fresh-water sailor working in the Congo. Thus, the imagery of this opening scene does a great deal to inform the reader of the ideas Conrad is trying to convey regarding imperial conquest. As can be seen in the above quote, the scene painted for the reader is not the peaceful image one might expect a writer to create given the calm scene. The men are lying about on a ship's deck with nothing to do. The ship itself is described as calm, "without a flutter of her sails" (Conrad, 1). Within this scene, "the water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marsh was like a gauzy and radiant fabric, hung from the wooded rises inland, and draping the low shores in diaphanous folds" (Conrad, 2). Even the barges moving upstream are seen as standing relatively motionless by the narrator. "The tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished spirits" (Conrad, 2). Imagining this kind of scene, there seems no room for anything that isn't peaceful and calming. The narrator's words illustrate an almost magical timelessness, a place where nothing unpleasant might harm you. However, there are hints at a darkness lying at the heart of this pleasant scene. These ar e found as the narrator describes the change in color of the sunlight from a "glowing white" to a "dull red without rays and without heat" (Conrad, 2). What this imagery indicates is a place once full of hope and light and an ability to warm others has changed to something incapable of reaching out, cold and sullen. It is so close to lifelessness that it is even threatening to " go out suddenly, stricken to death" (Conrad, 2). Even more of the metaphor is exposed when the narrator identifies the cause of the sun's sudden ailment as "the gloom brooding over a crowd of men" (Conrad, 2). This gloom is present in physical form as the narrator describes the dark gathering in the west, "brooding over the upper reaches, became more sombre every minute, as if angered by the approach of the sun" (Conrad, 2). Thus, the scene is lovely and peaceful as long as one only chooses to look in specific directions as one direction suggests something ominous. The imagery of light and dark is also broug ht out in direct relation to man and his activities throughout history. As this opening scene is presented, the narrator describes his reverence for the Thames because of the history and greatness that have been carried out with its assistance. "We looked at the venerable stream not in the vivid flush of a short day that comes and departs forever, but in the august light of abiding memories" (Conrad, 2). These